Movie Review: In Time

To download to the audio version, right click here and choose "save as..." or "save link as..."

To listen, press the play button on the player below


A number of years ago cartoon artist Gary Larson came up with a panel that showed a scientist standing in front of a black board with his hands on his hips. On the board were all sorts of equations with the one, right at eye level, showing an equation with the result equaling a dollar symbol. Underneath is the caption "Einstein discovers that time is actually money." What if that were actually the case? What if time was money? What if time is the currency that is traded in transactions where today you would use dollars? Director and writer Andrew Niccol uses this proposition as the basis for his latest movie, In Time.

Will Salas (Justin Timerlake) lives in the future that genetically, when you are born you have one year of time given to you that kicks in once you hit the age of twenty-five and you stay looking that way no matter how much time you live past that moment. How much time you have is on your left forearm in 13 digits: seconds, minutes, hours, weeks, months and years. Anyone can see the digits unless its covered, sort of like having your bank account balance out there for anyone to see. When you want a cup of coffee, ride the bus or pay rent you have a deduction taken from your balance. When you work, you have time added. You can give people your time literally or it can be stolen from you as well. When your balance hits zero, you die by a Time Out. If you are killed before you time out, the remaining balance is wasted time.

Will lives with his mother (Olivia Wilde) and works at a factory in Dayton. Very appropriate name considering they live day to day. They struggle to earn enough time to pay the rent on time. When a man, Henry Hamilton, from New Greenwich (the up scale neighborhood) decides that he doesn't want to live any longer, that he wants his time to be up, he gives a sleeping Will over a century of time before he times out himself. Why would Henry just toss in the towel? After living 105 years, he doesn't feel that anyone show live forever. This gift causes problems for Will.

Venturing into New Greenwich based on a comment that Henry made in a conversation the two men had, Will meets Sylvia Weis (Amanda Seyfried), the daughter to time magnate Phillipe Weis. Will is tracked to New Greenwich by Timekeeper Raymond Leon (Cillian Murphy) who is investigating the time out of Hamilton. Will escapes taking Sylvia as a hostage as he attempts to correct what he feels is injustice between the people in New Greenwich and the residents of Dayton. A battle of sorts between the haves and the have nots.

The premise showed some promise but it fell into a trap with using all sorts of cliches about time some of which just didn't quite work. There were some inconsistencies in the action of time payments and withdrawals and locations. It was noted between Sylvia and Will that he had not come from Old Time as he was rushing around and he ran where as a person with lots of time on their hand (well, actually arm) would be taking things slower. With time as currency, phrases like "don't waste my time" and "I have all the time in the world" take on new meaning. The other references to time became a bit distracting but you could start to think differently about the time that you have. "Take it a day at a time" would have new meaning as the neon green numbers in your skin count down from 23:59:59. Although I might have missed it, when one person was stealing time from another, I don't remember hearing the phrase "I'm cleaning your clock" coming up. So it does appear they used a little restraint in the cliche department.

If you watch In Time, it will cost you 109 minutes of your time and is rated PG-13 for violence, some sexuality and partial nudity, and strong language.

The Movie Monkey

To subscribe to the audio podcast of the reviews via iTunes click here. Audio versions are released the following Wednesday.

Movie Review: The Bengali Detective

To download to the audio version, right click here and choose "save as..." or "save link as..."

To listen, press the play button on the player below


The Hawaii International Film Festival wraps up this weekend and I took in another film. This one from India. I thought it was going to be a Bollywood movie with the sudden departures from story blooming into colorful sequences of song and dance. Wellllll....not quite. The description and the trailer for the film really didn't describe the story the way that it revealed itself on the screen. The Bengali Detective was not a piece of fiction, but a documentary shot in reality TV style. So the movie doesn't stand up as a piece of Bollywood, but it stands firm as a unique documentary.

Rajesh lives in Kolkota (formerly Calcutta, the place where Mother Teresa served the poorest of the poor) with his wife and son. The population doesn't trust the authorities as the murder rate has increased and 70% of those murders go unsolved. The populous turn to private detectives like himself to help with investigations. This might include murders, counterfeit products or unfaithful spouses. Rajesh's agency Always has himself and a half dozen other men who track down their marks. We follow them as they attempt to solve a brutal slaying of three young men, an abused wife wondering if her husband is having an affair and busting businesses that are involved with the sale of counterfeit products like hair oil.

From the American perspective looking in, we'll probably take a slightly different view to their reactions and how the detectives go about their job, especially when looking at the issue of the counterfeit hair oil. Large corporations in America are concerned about copyright infringement, particularly media companies with concerns about people posting digital files online for easy copying. Rajesh has the company who makes the hair oil pressuring him to find anyone and everyone involved with the sale and production of the fake oil and shut them down. It's understandable that they want to protect their product.

On the home front Rajesh is concerned about his wife of seven years, Minnie. She has diabetes and has lost both the pigmentation in her skin and her eye sight. He juggles both the responsibility of the office and the care of his now blind wife and their young son. He's concerned about the entire family in all aspects. To help him relieve stress, he loves to since and dance. He loves it so much that he applies to a TV show where he and his detectives will perform. The other agents agree, even if it was with a bit of reluctance. These segments of the movie do break the tension of the day to day investigation duties, but at the same time seem so out of place that it almost comes through as completely made up and fictional especially when the men are provided costumes for the contest. The laughter they provided did bring some moments of levity amidst some intense moments. This was also about the closest you get to a stereotypical Bollywood movie but without the true triple threat of singing, dancing and acting of say an Anil Kapoor or Shar Rukh Kahn.

Director Philip Cox took the approach of a reality show like COPS or Dog the Bounty Hunter while following Rajesh and his detectives both on and off duty. They might be re-enacting a position of a body on a railroad track, looking into boxes of merchant inventory, blurring out the face of alleged adulterers or running to catch a suspect. There was quite a bit of adjusting focus to bring the picture into a sharp image or blurry abstraction and back again or changing the depth of field so that the focus went back and forth between background and foreground objects. We would look at what they're doing with jaded eyes after watching all these procedural shows and their recreations on TV. The most high tech they have to use is their color ink jet printers and cell phones never mind having access to DNA processing or cell phone records.

The uncredited actor is the city of Kolkota. The city acts as a backdrop with conditions that most Americans won't experience in their everyday lives. The crush of people; the constant honking of horns; the rush, rush rush of the traffic; colorful clothing and people bathing or performing rituals in the Hooghly river provide the framework in which Rajesh's daily interactions occur. One particular scene of note is when Rajesh takes his wife onto a small boat into the river and he describes the scene for her telling her of birds flying and following each other, nearby boats or flowers floating in the current.

The movie as a documentary does not have a rating. I didn't see any bad words in the sub titles as most of the dialogue was in Hindi with some English. If any bad words were spoken, I wouldn't have recognized them anyway, my Hindi is rusty. That is to say it's nonexistent. There are scenes of extreme poverty and a religious ritual which if rated may give it something other than a G rating. It ran for 110 minutes in one of the larger theater venues of the festival at Regal Cinemas and was about 60% full of attendees. It did have an audience ballot for which I gave it mid marks based on the fact that I was expecting a different type of film. If the HIFF web site movie's description page said documentary I would have given it a 4 out of 5 rating.

The Movie Monkey

To subscribe to the audio podcast of the reviews via iTunes click here. Audio versions are released the following Wednesday.

Movie Review: Being Elmo

To download to the audio version, right click here and choose "save as..." or "save link as..."

To listen, press the play button on the player below



Decided to do something different this week. Instead of the usual Hollywood releases including remakes of The Thing and Footloose, the Hawaii International Film Festival (HIFF) is going on. With the huge slate of films to choose from I chose a film from the first night of the 2011 event. The movie was a biopic of Kevin Clash. Who is Kevin Clash you ask? Well, the title Being Elmo: a Puppeteer's Journey tells you what you need to know about Kevin. Personally, I wouldn’t have known much about this film and Kevin if it wasn’t for Steve Swanson over at The Muppetcast, a podcast dedicated to the works of Jim Henson and the Muppets. Steve has interviewed Kevin on the show which added to my background knowledge and interest of the subject.

It was the second movie on the HIFF schedule and played to a pretty packed house. The movie isn’t about Elmo, it’s about the man who really brought Elmo to the forefront of the American pop culture scene. Even at the age of eight, Kevin knew what he wanted to be and he followed through on that ambition to become a puppeteer. It’s a trait that only a small percentage of people hold and carry with them to have that fortitude to follow his dream and even a smaller percentage who want to move into the creative arts. While I won’t say that Kevin’s had a charmed life, he’s been surrounded by people who have been willing to help and mentor him. He received a hand up and not a hand out.

For the 76 minutes running time, it just flew by. I will admit that for the majority of the movie I had a lump in my throat. It was totally enthralling to hear about the progression of the skill and desire that Kevin has put towards the craft of both puppet making and puppeteering. This young boy setting out into the world of making the inanimate come to life by taking his father’s coat and turning that into his first creation and then honing the craft with performances in the backyard and at neighborhood events. His parents, especially his father, could have gotten upset over the jacket but instead helped foster Kevin’s desire and ambitions the best they could.

There was a quality about his passion that sadly doesn’t seem to be overflowing in the general public today. I think why I had the lump was that I wish I had that sort of passion in me for everything I do. It’s the kind of passion which just exudes out of every pore and creates an aura that people just know that you know that you know this is where you where meant to be. That’s why when Kevin is puppeting Elmo and the child or person see Kevin right there with his hand inside the puppet their eyes are glued not to the man but to the inanimate shaggy red pieces of material on the end of his hand. The passion had breathed life into what had no presence before captivating individuals.

One aspect of the movie that director Constance Marks brought forward was the mentoring that Kevin received. When Kevin saw Kermit Love on TV, Mrs Clash reached out on Kevin’s behalf and made contact. Kermit Love was a major force in the design of the Muppets. Kermit shared his own love, passion and knowledge when the two met and today Kevin in turn extends his hand to help others who want to get into puppetry. They didn’t seem to put up their shields and flip on protection mode that if I share this method or secret with you the result will harm me in the either now or in the future. It came across as pure joy for Kevin who would either share with someone looking to develop a career as a puppeteer or someone who was already on the staff of Sesame Street.

Success depends on hard work, but sometimes it's a matter of luck, being in the right place at the right time. Kevin's greatest creation Elmo, was partially hard work and effort but the door that opened for him to perform Elmo was where luck was a factor. Richard Hunt was originally Elmo but didn't "feel" Elmo so he gave Kevin the chance. Marks shows footage of Hunt as Elmo who sounded like a New York taxi driver with cuts between Kevin and Marty Robinson who was present in the break room when the hand off occurred to tell the birth story of the Elmo that we know today.

The documentary used lots of archival footage from Kevin’s past to mark milestones along the way. From the days of working with Bob Keeshan, Captain Kangaroo in New York to the trips that he makes around the world with Elmo in tow, footage has captured Kevin at work or behind the scenes. Still pictures from friends and family were altered slightly so that instead of the pan and scan to draw your attention to a detail, sections were lifted to give a bit of depth and animated motion to pull your eye where Marks wanted you to go.

There is no rating on this film, but it was definitely G material. It's been making it's way around the film festival circuit and I couldn't find any information for a general release date for theaters, DVD or Bluray. At the film's web site there is a page showing currently planned locations and dates and a button to "Demand it!". If you are excited about the Muppets, the creative arts or puppetry, this is a film for you. To help round out the picture there are interviews and footage with Jim Henson, Frank Oz, Fran Brill and Whoopi Goldberg. As I was leaving the theater I took my audience response form to rate the film and ripped it on number five on the 1-5 scale.

The Movie Monkey

To subscribe to the audio podcast of the reviews via iTunes click here. Audio versions are released the following Wednesday.

Movie Review: Real Steel

To download to the audio version, right click here and choose "save as..." or "save link as..."

To listen, press the play button on the player below


When I was growing up there was a toy game called Rock 'Em Sock 'Em Robots. It had two robots, a red one and a blue one, in a boxing ring being controlled by the managers who moved the robots around and pushed buttons to throw punches. When one punch landed in the right place on the opposing robot's head, it sprang up with a funny noise and that robot's manager would yell "You knocked by block off!" Well, at least they yelled in the commercials of old! Watching Real Steel immediately brought me back to that time in the past only for a moment because the movie had good enough execution that I was immediately brought back into the now to watch the near future of robotics and boxing.

In the near future, boxing is no longer done by humans. The crowds wanted more carnage than a man could either dish out or take so robots were used. Charlie Kenton (Hugh Jackman) used to be a real boxer and now boxes with the remote controlled man-like machines. Unfortunately he hasn't done too well in the ring and owes a number of people a lot of money. After one demonstration show where his machine was taken out by a bull, he's approached by two men informing him that the mother of his son has passed away and he needs to make an appearance in family court to resolve the matter of who will become the guardian for the boy.

Max Kenton (Dakato Goyo) was abandoned by Charlie when the boy was born. Now the boy's wealthy aunt wants to adopt him and Charlie sees a way to alleviate some of his money problems. Charlie works a deal to in essence sell his rights to Max in order to purchase a new fighting robot. The catch is that Charlie has to take Max for the summer. Estranged father and son forced together for several months. Yeah, at this point, you know how part of the movie will end, the question is what road will the two travel to get there.

Charlie and Max head to the gym where Charlie was trained to pick up the new robot. The gym is now operated by the trainers daughter Bailey (Evangeline Lily) since her dad had passed away. Luckily for Charlie, not only does she know how to run the gym, she knows how to fix the big pieces of sporting metal. While Charlie attempts to leave Max with Bailey, Max won't have that. The kid manages to finagle his way into going to his first robot boxing match while sparring verbally with his dad about what they're doing. The kid has some spunk about it. Now understanding how his new robot will react is bad news for both the robot, Noisy Boy, and Charlie.

Quite frankly, if it wasn't for the character of Max and the way that Goyo played him, you wouldn't have a movie here. It’s Goyo who really carries the film. For an 11 year old Max displays knowledge beyond his years, insight into boxing and betting, and a lot of chutzpah to act the way that he does towards his father and people in the World Robot Boxing league. After Noisy Boy is destroyed in the ring, Max and Charlie break into a junk yard. Buried in the mud Max finds an old sparring robot named Atom. Without Charlie’s digging assistance, Max manages to extricate the robot out of the junk heap and back to Bailey who helps repair Atom. At times Goyo delivers the fierce determination and belief in Atom and what the bot can do and yet at times gives these sad, large Puss-in-Boot eyes when he shows vulnerability in that he wants a relationship with his dad or when he is betrayed when Charlie’s selfish streaks come to the surface.

In a true Rocky style, Atom slowly rises in the boxing community’s awareness drawing the attention of the owners of the top ranked fighting bot Zeus. Max in his exuberance of youth throws down the gauntlet taunting them. Eventually the big fight happens and I’ll let you watch the movie to see what happens from there. I’ll just say that it wasn’t a cookie cutter ending.

The movie ran for 127 minutes and had my attention the whole time. For the first show of the day, the theater was pretty packed and even though it was rated PG-13 for some violence, intense action and brief language, there were a fair number of young kids in the audience. While the robots got smashed to pieces, the worst thing that happened to a human was a fat lip and bloody nose. The movie had the action of a sports movie, but that was secondary to the father son story of Charlie and Max. Also watching these gigantic robots battle was fun and fascinating. At times real robots were used for some of the close up shots with humans while the boxing scenes were done with the motion capture to depict what a real fight was like. Enough adjustments were made to the styling of the movements to make it believable that mechanical men were swinging and pounding each other instead of flesh and blood.

I predict that the movie will do well over the weekend (update, it came in first with more than double the money that came in for the number 2 movie at the box office) and that a series of sequels based on both Charlie and Max and the robot fighting world in general will be in our near future.

The Movie Monkey

To subscribe to the audio podcast of the reviews via iTunes click here. Audio versions are released the following Wednesday.

Movie Review: 50/50

To download to the audio version, right click here and choose "save as..." or "save link as..."

To listen, press the play button on the player below


The movie 50/50 is about a cancer patient and could have taken the route of being a total tear jerker movie. Luckily we know in advance that everything ends up ok as it was based on a true story of Will Reiser who penned the screen play. Yet what could have followed the “Oh, woe is me” path instead was peppered with a number of spots that handed the audience moments of laughter. Chances of you giving out some giggles during the movie are better than 50/50.

Adam (Joseph Gordon-Levitt) is 27 and single but dating, has a decent job as a writer for the Seattle Public Radio station and has Kyle (the still skinny from doing The Green Hornet Seth Rogen) as his co-worker and best friend. When recurring back pain forces Adam to the doctors, it’s discovered that he has a large tumor growing on his spine. His doctor probably went to the Dr Gregory House School of Charm and Bedside Manners to learn how to deal with his patients. No empathy or even using reassuring language Adam could comprehend without having the DR letters attached to his own name. Very understandably, when the C word, cancer, is mentioned, it’s the only thing Adam could pick out among the medical terms and immediately zoned out of his regular life and entered survival mode.

His support system is his girlfriend, Rachel (Bryce Dallas Howard), a cold and manipulative woman who is a taker and not a giver. His mom (Angelica Houston) is a smothering mom who is dealing with the care of her husband, Adam’s dad, who has Alzheimer’s. She now has two very sick family members drawing her focus. Bro bud Kyle who sort of looks at the positive side of the disease thinking that it can be used to get some action for not only Adam but himself as well. Lastly, his treatment therapist Katherine (Anna Kendrick) rounds out the team although, she is not a doctor; she’s working on her doctorate degree and doesn’t have a huge pool of experience to pull from. While not her first, he is wading in the very shallow end of the pool, barely enough to cover the knees.

There are the tough moments to watch and then these are offset with some of the laughter. Young Adam goes in for his chemo treatment and meets two other patients who are much older. They are looking back on their lives while Adam is supposed to be looking forward now has this giant obstacle staring him in the face. One of the men jokes that the longer the name of the cancer, the tougher it is to beat and Adam’s type has a long name, schwannoma neurofibrosarcoma. Adam goes through the highs and the lows of the disease trying to face it as stoically as possible without being a burden on his friends and family, keeping most of his anger, fear and frustration bottled up. Katherine attempts as a green therapist don’t yield the comfort or mental processing that Adam needs to deal with his circumstances. Kendrick’s eyes help tell the story of wanting to help but at times being at a loss to convey what Adam needs.

The topic of medical marijuana came up several times between eating it or smoking it to relieve the symptoms of the chemo or in Kyle’s case sympathetic chemo nausea; perhaps, but maybe not. Is there a Rogen movie that doesn’t involve getting a party on somehow? Luckily at no time did Adam or Kyle attempt to feed the rescued from the racetrack greyhound given to Adam from Rachel as a way to help comfort him any pot brownies. The joke being that the skinny former athletic race dog about town was named Skeletor, just the kind of name that a cancer patient wants to hear.

With such a heavy topic of life and death at a young age due to cancer, the movie was rated R for drug references and use, language throughout and sexual content during the 99 minute running time.

The Movie Monkey

To subscribe to the audio podcast of the reviews via iTunes click here. Audio versions are released the following Wednesday.