The wave has arrived at Disney's Aulani!

The day had finally arrived. Aulani, a Disney Resort and Spa within the Ko Olina resort has opened its doors to the public. It was just a little shy of four years passing since the project was announced in October 2007. I had gone out and shot video of the plot of land when it was barren, untouched ground. Now Phase I has opened on the 21 acre lot located on the Koloha lagoon within Ko Olina. I don't think I could have a bigger smile on my face as I walked through and saw the final product, that is after I picked my jaw up off the floor from all the beauty and grandeur displayed.

Let me say right off the bat that even though I had a long day, I still didn't get done all that I wanted to do. Not including travel time I was there for just shy of twelve hours. I didn't even sit down to eat. I was walking around the majority of the day taking a ton of pictures, talking to cast members and other visitors. I had my list of questions and I did ask some along the way, but lost my way as I kept discovering new items, new detail and flourishes and meeting people. I'll need to go back out for more exploration.

When I had been in Aulani two weeks earlier, the product still have finishing touches that needed to be used but none of the cast members were in costume. As I turned into the property from the sidewalk there were three new kii at the base of the taro patches. Walking up the drive way into the porte-cochere area, it was bustling with activity. As I walked into Maka'ala, the bellmen and greeters have costumes that are just stunning. The colors, patterns are silhouettes create an atmosphere that just blends perfectly with the whole look and feel of your entrance into the Aulani experience. They were working in an area that also had some new kii added. To me, all the new kii were a different style than what you would find over on the Big Island at Puuhonua O Honaunau but they still looked amazing.

At Kelepa's, the general store the greeters there were welcoming people with "E komo mai" meaning "come on in!"and as guests were leaving saying "a hui hou" meaning "until we meet again". It was touches like this that as a long time resident of Hawaii I could identify with in addition to having the background from back in the day as a former cast member and being an active part of the Disney fan community and podcaster.

Over the course of the day as I turned around, talked to people, explored visually making sure to look both up and down and straight ahead, I kept saying "oh" and "ahh" and "that's cool" to myself. This happened all day. The executive designer for Aulani is Joe Rohde. I spotted him around the resort but he was usually doing some sort of press. At one point I had sat down to breath and he walked past me as he exited the building. I stopped him, shook his hand and thanked him for what he's done with the project. He acknowledged my thanks and suggested that I talk to some of the Hawaiians and see how they feel.

I did as Joe suggested and did talk to a number of cast members and specifically asked them how they thought the culture was being represented. They all had positive things to say. In particular I had the opportunity to talk with Nani. We talked for longer than I talked with others. It was a good conversation as we discussed the Hawaiian language and a bit of its history and use and how Disney went about asking advisers how can they represent Hawaii as compared to Disney saying this is how we want to represent it. If you're thinking Polynesian Pop and the tiki culture like the Polynesian Resort at Walt Disney World, you won't find that here.

From what I could see on this trip, Disney is upping their game significantly. I saw things here that I hadn't seen at other Disney resorts in both resort details and in the cast members. Steve Eng should be complimented for what he's been able to do with the training. As I talked to the CMs, their training was often brought up as a topic. One aspect I noticed was that many more of the cast members at Aulani as I passed them acknowledged me. Some with nods, but many, many more with verbal greetings. At one point I apparently planted myself where the CMs transition between on and back stage. During that time, almost every one that passed me greeted me whether I was looking at them or not and most of them gave the spoken greeting of "Aloha".

The only shortcoming that I could see was something that I'm not sure Disney could do anything about at this time. With the hiring of CMs for Aulani drawing from the local pool of talent, many of them have not been exposed to the Disney fandom and how a number of items relate to each other. Quick example, the Menehune Adventure: most of the CMs that I talked to didn't know about the Kim Possible World Showcase Adventure. Eventually as any mainland transfer CMs share with the local CMs and the local CMs have their own interactions with the fandom their personal expertise on all things Disney will expand to fill in some of those gaps.

The way that I would describe Aulani is that is not a Disney hotel with a touch of Hawaii. I feel that it is a Hawaiian hotel with a touch of Disney. Everyone involved with the project should be very happy with what they have done. Over the next weeks and months, I look forward to seeing how the resort changes, evolves and grows as they gather more experience working in their day to day operations and interactions with the guests and the community.

I'll do a future post about more specifics of the day including what I saw, did and more of the encounters of the day.

To see over 600 pictures from opening day, Click Here.

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Movie Review: Our Idiot Brother

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Our Idiot Brother is one of those movies that you watch with your mouth open and think, "can this be real?" You find it very hard to suspend disbelief, but not in a fantasy kind of way. You have a set of characters in what appears to be the real world acting the way that most people do, except for maybe one person. That person would be the brother in question, Ned played by Paul Rudd.

Ned is calm, collected, very at easy and loves his dog named Willie Nelson. He looks like Jesus with the long hair and beard, is living on a farm and selling fruits, vegetables and weed. Well, he really didn't want to sell the weed to the cop, he just wanted to help out someone who was having a tough week, he was going to give it to the cop, but because he took the money that the cop offered he got busted and went to the joint for eight months although, he got off four months early for being the most cooperative prisoner. The way he acts and dresses you expect someone to come up to him and say "Dude, the 1960s called and it wants all its hippies and flower children back!"

After his release from the big house, he can't go back to the farm so he end up spending time living with his mom and sisters Miranda (Elizabeth Banks), Natalie (Zooey Deschanel), and Liz (Emily Mortimer). Miranda is a tightly wound wanna be reporter for Vanity Fair. Natalie is a care free spirit living with five other people including her girlfriend Cindy. Sister Liz is the dutiful wife to a documentary film maker Dylan (Steve Coogan) and mother of two.

With each stay Ned screws up something. Ned doesn't have a mean bone in his body, but he also doesn't have any filters and doesn't try to read any negativity into what he has been told or sees. That's why you sit there with your mouth wide open. Could you believe there is someone who wouldn't try to impose a darker or screwed up or judgmental meaning on what they have seen or heard? When he is given a lame excuse for a situation, Ned just accepts it as is, no questions asked. It's there where the suspension of disbelief becomes really hard to do. But on the other side of the coin, if Ned started to question and then accepted further lies you'd think differently of him. Then you'd really think he was stupid for not discerning the deceit instead of just having the blind faith to think the best of people and hope that they will give the same back to him. He even goes as far as praising his parole officer for the job the officer is doing. How's that for thinking well of people?

There were a couple of slow points in the movie and a little bit more risque comments and sights in the movie than I expected going in. It was rated R for sexual content including nudity, and for language throughout. It was also one of those comedy movies where the trailer shows you scenes or jokes that don't make it into the final 90 minute cut released to theaters. While maybe not worth the price of a movie ticket, it might be worth the DVD or Blu-ray rental because there was a bit of a lesson in there about one way to view life. When you watch, make sure you stay for the credits as a number of bloopers and out takes pass the time while the words scroll up on the side. I would think a future rental would probably have more of a blooper reel than what was included in the feature presentation.

The Movie Monkey

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Movie Review: Fright Night

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Slow weekend for choices at the movie theater. You have not one, but two remakes and one sequel. They all appealed about equally on my radar. Conan the Barbarian starring Hawaii born Jason Momoa and Spy Kids: All the Time in the World in 4D which had scratch and sniff cards were two of the three selections available but ultimately, Fright Night won out only because it had the first non 3D showing of the day.

It is a remake of a 1985 version of the same name. Set in Las Vegas, the action starts quickly and keeps moving along. Charlie Brewster (Anton Yelchin) is told by former long time best friend Ed (Christoper Mintz-Plasse - McLovin from Superbad) that his new neighbor Jerry (Colin Farrell) is a vampire responsible for a slew of missing fellow classmates and families in the area. Charlie doesn't want to believe Ed, after all, what vampire would be named Jerry, right? Charlie quickly figures out that Ed was right after all and sets out to protect his stressed out real estate selling mother (Toni Collete) and knock out gorgeous girlfriend Amy (Imogen Poots) about the danger in the night.

To help with his crusade, Charlie heads over to the Hard Rock Hotel to get advise from a person in the know. This person is Peter Vincent (David Tennent, the tenth Dr over there on Dr Who), the magician whose show is vampire themed and called Fright Night. Of course some actor/magician would know everything you need to know to put down a hard core vampire with mean sharp nasty teeth, because we're dealing with reality here, not some nut job who just thinks they are a vampire.

The movie is rated R for bloody horror violence and language including some sexual reference. My theater must have thought it was scarey enough to keep the house lights on the dimmed but not dark mode for about 20 minutes into the 106 minute running time. Through the whole movie I only found myself startled twice by what happened on screen.

Nothing really ground breaking covered in the remake. The standard stakes, crosses, holy water, turning victims into vampires and belief all come up as well as giving permission for the unholy creature of the night to cross the threshold of your home. We did get answers for two variations of the crossing the threshold dilemma. The first, what if it's not your home and the second, what if you can't call the house a home anymore. Does the logic support the outcome?

Keeping with the genre, the big climatic battle scene seems to occur around the vampire's coffin just as the staking is to occur and right after the sun makes its daily graceful exit behind the horizon. The head vamps eyes pop open and the would be vampire killer is grabbed around the neck, hoisted off the ground and thrown across the room if it's an older tale with a castle, or to the other side of the basement if it's a more modern vampire story. The lived up to the standard. Although, I will give Fright Night a little credit. There was a nice twist on the standard vampire dispatch method to finally vanquish the bad guy.

So, while not a top shelf movie for the weekend, it fits solidly within the standard scope for telling the tale of a creature who needs to feed on human blood in order to remain alive. No day time walking, sparkly skin exposing, synthetic blood drinking, I just want to be your friend and marry you while not sucking your life force from two holes I put in your neck to be found here.

The Movie Monkey

To subscribe to the audio podcast of the reviews via iTunes click here. Audio versions are released the following Wednesday.