Movie Review: Kung Fu Panda 2

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This is the weekend of the sequels. Early weekend releases The Hangover Part II and Kung Fu Panda 2 join last weekends Pirates of the Caribbean 4. The three movies will be battling it out to determine who will be the king of the long Memorial Day weekend box office. Two of the movies are available in 3D and one of them, Hangover, will rely solely on the ticket revenue from a 2D version.

With a special contest code from M&Ms that awarded me a $3 discount on a ticket I had my ticket money plunked down for the 2D version of Kung Fu Panda 2 instead of using the discount to pay the surcharge for the 3D version.

A little shy of three years ago we met Po (Jack Black) as he went from an overweight, lazy, slacker panda to become the Dragon Warrior and join the elite kung fu fighters of the Furious Five: Tigress, Mantis, Viper, Monkey and Crane (Angelia Jolie, Seth Rogen, Lucy Liu, Jackie Chan and David Cross) under the tutelage of Master Shifu (Dustin Hoffman).

Now, the very existence of kung fu is threatened by Lord Shen (Gary Oldman) a pea fowl who has an axe to grind. Well, actually he has a cannon to shoot since he has learned how to use gun powder not for a beautiful display of fireworks but as a weapon for mass destruction and the conquering of China. What stands in way of Lord Shen's desires? According to the Soothsayer (Michelle Yeoh) something that is black and white. Might that be a panda? AND...could that panda be Po?

The battle lines have been drawn and we know that Po and Lord Shen will face off against each other. Po's skills have improved, but if it wasn't for the assistance of the Furious Five, he would have been toast a long time ago. His aligning with the Five is just what he needs to be an effective team player until he discovers a secret which shakes him to his core and rocks his chi. His father, Mr Ping, the goose that makes a delicious noodle soup and one mean, hot, steamed bun is horror of all horrors, not his real father. Insert dramatic duh dah dum....music here. Apparently Mr Ping never had the birds and bees talk with Po for Po to figure out that he didn't come from an egg.

The revelation of adoption and its aftermath is the weakest part of the movie. In movies and TV too many times the characters are shown to loose all self worth and wonder who they are when they discover that their biological parents, usually the mother, felt that someone else could do a better job raising them. Po looses confidence and starts playing mind games with himself questioning the love and care that his father, the goose, Mr Ping has given him since he took Po in as his own. That self doubt interferes with his ability to fight Lord Shen.

Fortunately, the rest of the movie makes up for this short coming. The relationship between Po and Tigress has deepened; Master Shifu giving his masterly advice to Po; Po's working though the necessary barriers to once again triumph good over evil all work in the character development department.

The story really moves along due to the overall story development and the methods used to tell it. When the story opens we are given the back story of Lord Shen. It is told using flat animated, 2D paper cutouts almost shadow puppet in form. As Po has flashbacks those images are again a flat 2D stylized animation form. At the end of the 90 minutes the credits are multi-layer 2D renderings that are well worth sitting through to enjoy. I'm sure in the 3D version they did more with this section. Sandwiched in between are the traditional computer renderings using shadow and highlights to give the 2D figures the look of 3D. The colors were bright and vibrant and the textures were highly detailed. From the fine lines in Lord Shen's feathers to the applique embroidery and stitches in vests and robes to the growth rings in a ram's or water buffalo's horns the nuances add to the graphical details giving further life to the characters.

One last special detail mention is for the fireworks. These fireworks sparkled and shimmered at a particle level like I haven't seen before. Tie that in with the smoke clouds and trails and you sit in your seat and ooooooh and aaaaaah during those scenes.

There is no easter egg at the end but as already mentioned, the credits are worth sitting through for the visuals of this movie rated PG for sequences of martial arts action and mild violence.

The Movie Monkey

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Movie Review: Shinjuku Incident

For American audiences, we don't get to see Jackie Chan in the light that this movie casts. We see him in movies like Shanghai Noon, Rush Hour, The Tuxedo or his latest US flick, The Spy Next Door. He plays a likable guy with killer martial arts skills who is able to use whatever is around him clay pots, sofas, scaffolding, clock works to move around and vanquish his opponent. He uses comedy throughout to bring smiles to the audience's faces. Shinjuku Incident is not like that at all. Released in April 2009 in Hong Kong it is just making its way into US theaters. Done in Japanese and Mandarin, we watch the action and are lead via the subtitles.

I had two people in the theater with me who kept talking back and forth trying to figure out the language and that they had to read the subtitles. After the first two minutes if they didn't like reading subtitles they always had the option to leave.

Chan plays Steelhead an illegal Chinese immigrant in Japan. Back in China he used to repair engines. His fiance Xiu Xiu (Xu Jinglei) moved to Japan to try to find a better life saying that she'll come back but when she doesn't and communication stops, he follows his heart to try to find her. After escaping the authorities on the Japanese beach he meets up with his brother Jie (Daniel Wu) who introduces him to other illegals who are picking up odd jobs and stealing in order to survive.

During an immigration bust Steelhead saves the life of Detective Kitano (Naoto Takenaka) who is greatful and wishes to repay Steelhead. When he discovers his fiance is now the wife of a Yakuza boss Steelhead decides to become a legal citizen of Japan. In the process he gets caught up in Chinese gangs and the Yakuza. To keep his brother out of trouble Steelhead buys Jie a chestnut cart. Jie unfortunately has a run in with another gang and ends up with severe injuries. Steelhead while trying to exact revenge for Jie ends up saving the life of his ex's husband. Eguchi (Masaya Kato) hires Steelhead to kill those people who were trying to kill him.

For the first time we see Jackie Chan, not in defensive mode but playing offense. While trying to play protector he ends up being aggressor. It's not what we American audiences think of when someone drops the name of Jackie Chan. We see a side to him that we haven't been presented. Instead of this coordinated flailing martial arts master that deflects blows, we see a man who gets hurt and shows emotions.

After taking care of Eguchi's request and being rewarded with control of specific districts including Shinkuku, Steelhead tries to lead a normal life going back to repairing engines leaving the control of the Chinese gang to the people who originally helped him. Without his sense of fairness the other immigrants start to fall into illegal activities that Steelhead never would have imagined. One of the corrupt leaders is none other that his brother Jie.

Detective Kitano gets called upon to crackdown on the illegal activities at the same time parts of the Yakuza decide they want to take back control of the areas that were given to the Chinese. The undercurrent of racism rears it head and comes out. Kitano thinks it's Steelhead not realizing Steelhead has stepped back from control but wants to work with him to pay back his personal debt he owes to Steelhead. All hell breaks out as the Yakuza and formerly illegal immigrants fight for control.

Chan plays good guy and he plays bad guy. The good guy isn't like what we see with his movies made for America. There were some typical Chan traits, but not over the top. The bad guy we haven't seen before. This is a drama not a comedy or martial arts flick although there is some martial arts involved. One of the challenges with watching foreign flicks with subtitles is having to focus on the bottom of the screen. Without understanding the languages involved the nuances of the vocal part of the performance is lost.

The movie was an interesting story of immigration challenges set in Japan. It presented something that we normally see with issues between the US and Mexico. Presented with another culture and location but similar reasoning we're given another level of interest to draw us into the story. If this two hours which is rated R due to graphic violence, brief sexuality and drug use is playing in your area, I would recommend checking it out for another side of Jackie Chan's acting abilities.